Sicily 1812: the first liberal constitution shall put an end to the privileges of the feudal lords. Luca Corbara, sent by the Minister of Finance to control the landed properties, begins to suspect that the current Carini feud is made up of lands usurped more than two centuries before by the lover of the killed Baroness.

The Pantani case, a film directed by Domenico Ciolfi, tells the story of the last five years in the life of the cyclist from Romagna, in particular from 5 June 1999, when he was suspended from racing, to 14 February 2004, the day of his death. His untimely death in unclear circumstances, which have opened several judicial inquiries, was a shock to the world of cycling, which lost its Pirate on Valentine's Day. The film is a tribute to this Italian sporting hero, remembering him as a young man who, riding his bike, reached several milestones but was defeated in a fatal match.

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After being fired for suspecting illegal toxic waste trafficking at her company, a secretary falsely accuses her superior, Marc, of sexual harassment on the radio. This lie drives Marc's fiancée to suicide, while simultaneously, the company owner frames the unsuspecting Marc for the illegal trafficking to cover his own tracks as the police close in.

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Italy, 15th century: Marco and Cesco, two youths from rival families are friends but become enemies when they both fall in love with the same girl, Germana, who is kept prisoner by Cesco's family in a tower. Germana is however in love with Marco and Cesco, feeling betrayed, has Marco imprisoned. During a battle Marco proves however his loyalty to his friend, who falls unfortunately deadly wounded.

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Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.